In the Drawing Room
Last week, Susan Buck, Architectural Finishes Conservator, visited Montpelier to continue work on two ongoing projects in the drawing room (M108): the search for curtain hanging evidence and the hunt for clues about the original wallpaper.

Small wooden markers show the depth and angle of nail holes, which might have been used to secure drapery hardware.
The search for evidence of how curtains were displayed:
One Madison era visitor mentioned the windows in the drawing room were “hung with light silken drapery.”[1] But, how were the curtains suspended and what design did the Madisons choose?
To learn as much as possible about the drawing room curtains, we are searching for physical clues for drapery hardware. Having already eliminated the premise that the Madisons had cornices above the windows because no physical evidence survives, Dr. Buck performed additional forensic work to see whether wooden laths were nailed directly to the top of the window frame to hold the window treatments.
Further clues to the nature of the original red flocked wallpaper.
During an earlier phase of research for the mansion restoration, Dr. Buck found a very tiny fragment of what appears to be the wallpaper that James and Dolley Madison chose for the drawing room. Discovered on top of the window frame, analysis revealed it was a rag paper coated with red distemper and then printed with a pattern in a resinous material (possibly shellac) to which miniscule pieces of red wool were adhered to mimic expensive fabric wallcoverings.
But was the paper monochromatic (red wool on a red ground) or could it have been two toned (red wool on a white or another light color ground)? Was the velvety flocking embossed with a pattern? Dr. Buck returned to hunt for additional fragments of the paper, finding a fragment which also had red flock on a red ground. This confirms the character of the earlier find, but still leaves us with questions – and work to do!
Shutters Reappear
They are up! Last week, the bright green shutters returned to Montpelier! They have received a final coat of paint and copper caps and have been carefully installed. Each shutter is unique to a particular window. We hope to post some pictures of the entire house soon, but here are some pictures of the process in the meantime.
- Shutters on the windows of the North Wing Room (100)
- Joe Doody with a shutter
- Shutters at the rear of the house, ready to be hung
- Joe Doody and Bill Bichell prep some shutters for hanging
1Margaret Bayard Smith, “Mrs. Madison” in James Herring and James B. Longacre, eds., The National Portrait Gallery of Distinguished Americans, vol. III, (New York, Herman Bancroft, 1836)







August 31, 2009 at 1:03 pm |
Wonderful! I truly hope that the mystery of the wallpaper of the Madisons is discovered:) And I had the honor to see the green shutters go up the day before I had to head back home to Juneau from having volunteered as an intern at James Madison’s Montpelier for 5 weeks:) It was an experience I’ll never forget and I most sincerely keep Montpelier and all the efforts of the research there in prayer:) God Bless James Madison’s legacy!
September 9, 2009 at 2:15 am |
Since it is impossible for me to visit in person,
I am grateful for the updated curatorial website.
One day I would like to see the mansion for myself.
I so much appreciate the care and expertise going into this project.
September 9, 2009 at 9:25 am |
David, we’re so glad you enjoy reading the blog! We will be moving to a new site fairly soon, but will let you know the new URL as soon as it is live.
Hope you can come and visit us someday.
September 11, 2009 at 2:52 pm |
For quite some months I have been assiduously following your restoration updates – with both delight and encouragement at your academic pursuit of ‘correctness’. In light of the latter, I should care to presume in making a remark on the pre-C20 differentiation between ‘drapery’ and ‘curtain’. Drapery, as I’m sure you’re aware, literally meant that which was ‘draped’ at and/or over a window; what we today generally refer to as ‘valance’. Whereas ‘curtains’ were the fabric panels (usually movable) hanging over the sash, and often frame as well, falling to a length apropos the room or socio-economic status.
Depending on the literate level of C19 commentators, and their readers, this difference between properly applicable terms was well understood.
It was not at all unusual for windows, particularly in formal spaces, to be ‘draped’ and not ‘curtained’.
Your tolerance of allowing me to comment on this issue is appreciated.
October 20, 2009 at 1:15 am |
Thank you for the updates. I cant wait to see the pictures of the entire mansion. Keep up the good work.